Adela Powell is inspired by nature, landscapes and the sea, which is naturally conveyed through her clay. Even her figurative pieces examine layered and eroded rocky surfaces, embracing the fragility and unpredictability of her subject.

Alison Coaten is fascinated by the human desire to make sense of existence through religion, myth and folklore, and the use of art to create concrete images of worship in the form of icons and idols.

Annabel Munn creates ceramics from thin earthenware slabs, torn into sections, and constructed into new forms. These evoke memories of place and time, and highlight a lifelong fascination with fossils, ancient landscape, architecture, and found objects.

Barry Stedman takes a relaxed and direct approach to make vessels. He aims to create a sense of drama that is fresh and exciting, exploring vibrant colour compositions and exploiting the gestural qualities of fluid brush marks and soft clay.

Branka Vrhovski-Stanton’s ceramic vessels are an exciting fusion of sculptural form and spontaneity in porcelain, stoneware and earthenware. Bold painterly lines and statement pieces dominate her work.

Carys Davis uses colours and textures in her glazes that reflect the Welsh landscape; the red and green of the inland valleys, the greys and blues of the sea and the sky, the textures of sand, stone and granite.

Craig Underhill’s intimate, slab built vessels, act as 3D canvasses; evoking a feeling of landscape and place that are affected by time.

Elizabeth Price’s sculptures are as emotive as they are highly collectible. Sculpting details and subtle gestures, she manages to capture the most intimate moments of joy, sadness and contemplation.

Working in a painterly way with coloured slips and the inclusion of mark making elements, such as sgraffito, Isabel Merrick finds new narrative for the environment she lives in through her ceramic forms.

Sculptor Jackie Summerfield captures the charm and character of familiar animals and birds with her contemporary ceramic pieces.

Jon Barrett-Danes animals are hand built and enigmatic indoor and outdoor sculptures; endowed with the strength and humour it took to physically create them.

An exploration of changing landscapes and historical narratives, Lesley McInally’s ceramic vessels are vibrant, multilayered and biographical.

Margaret Curtis explores imperfection through her unique ceramic vessels, finding beauty and inspiration in natural decay, through surfaces that are weathered or deformed.

Finding harmony in rhythm, Maria ten Kortenaar creates delicate, beautiful vessels by building them piece by piece, mixing colours through the porcelain to form patterns inside and out.

Mary Jones’ vibrant, painterly and playful ceramic heads are a discussion of human emotions and how they are translated in our faces.

Mélanie Bourget’s bold, figurative raku sculptures offer a contemporary, yet offbeat, style; oscillating between realism and fantasy.

The product of wood, saggar and raku firing, Patricia Shone’s tactile ceramic forms are inspired by the surfaces of the land that have been eroded by the forces of climate and human intervention.

With vessels that are inspired by the changes in our environment, Paul Wearing embraces the textures that manifest naturally on surfaces within diverse urban and rural landscapes.

Detailed with sprigs and stamps of found artefacts, Phil Jolley’s multi-faceted vessels harness the beauty of past architectural designs, further enriched with layered glazes and lustres.

With delicate ceramic sculptures that celebrate the beauty of life cycles, Remon Jephcott explores the notion of decaying fruit as a metaphor for the female experience.