Mélanie Bourget’s bold, figurative raku sculptures offer a contemporary, yet offbeat, style; oscillating between realism and fantasy.

Moira Hazel uses bold colours, patterns and textures. Places visited, the light, colour, atmosphere, plant forms, landscape, rock patterns, the sea, fabrics, children's art all add to the mix. She finds inspiration everywhere.

The product of wood, saggar and raku firing, Patricia Shone’s tactile ceramic forms are inspired by the surfaces of the land that have been eroded by the forces of climate and human intervention.

With vessels that are inspired by the changes in our environment, Paul Wearing embraces the textures that manifest naturally on surfaces within diverse urban and rural landscapes.

Detailed with sprigs and stamps of found artefacts, Phil Jolley’s multi-faceted vessels harness the beauty of past architectural designs, further enriched with layered glazes and lustres.

Pierre Diamantopoulo's scope is diverse; spanning truly monumental installations and more accessible pieces - made with clay, plaster steel and bronze. His contemporary sculpture mixes human figuration with sophisticated, geometric abstraction.

Influenced by medieval tapestries, William Morris, and Renaissance portraiture, Paulina X. Miranda’s oil paintings are timeless, beautiful and evocative.

With an interest in urban and rural landscapes, and a background in printmaking, Rachel William’s work crosses disciplines with transferred and repetitive marks, which she imprints onto the surface using a variety of found objects.

Radek Andrle’s elegant alloy sculptures are inspired by the beauty of the human form.

With delicate ceramic sculptures that celebrate the beauty of life cycles, Remon Jephcott explores the notion of decaying fruit as a metaphor for the female experience.

Rik Ward takes an experimental, painterly approach to his colourful photo-fusions, lending a vivaciousness to city scenes by layering dynamic images of urban streets, graffiti, architecture and parks.

Sam Peacock works into steel with a variety of materials including coffee, paraffin wax and industrial oil paint; seeking a deeper meaning between the materials used and the landscapes he paints.

Stephen Murfitt has been exploring the infinite possibilities of Raku for over forty years. Raku demands a deep engagement with each stage of the process, and Stephen enjoys the way that the pieces absorb and reflect the intense drama of the firing.

Concerned with the relationship and meaning of objects, both as still life and as narrative, Steve Fricker’s paintings are a surreal dreamscape of playful scenes.

Su Jameson’s hand-built ceramic sculptures and figures strive to create exchanges and speak of personal narrative. With forms that are drawn into, punctured and cut away with scratches, finger and tool-marks left like battle scars.

Tim Copsey’s enigmatic ceramics are organic and sculptural, resonant of the Peak District landscape from which they derive.

Walenty Wróblewski tells his stories spontaneously, in an expressionist-like manner, rather than preparing them in advance. He creates his own world image based on emotion and instinct, making his work both direct and intimate.