Finlay Coupar’s mixed-media, linear images (horizontal paths and vertical totems) showcase the rhythms and sense of movement he perceived in discarded debris.

Gregg combines powders and frit for a more fluid and organic outcome in his glass vessels. His work is luminous, vibrant and beautifully patterned.

Inspired by a moment in time, a song, poem or myth, Helen Phoenix’s paintings explore the personalities of the birds who are our companions in life.

Working in a painterly way with coloured slips and the inclusion of mark making elements, such as sgraffito, Isabel Merrick finds new narrative for the environment she lives in through her ceramic forms.

Sculptor Jackie Summerfield captures the charm and character of familiar animals and birds with her contemporary ceramic pieces.

Jane Skingley captures still life compositions in oil with rich texture and energetic mark making, which she believes offers more beauty to the viewer than meticulous painting.

Through her evocative ceramic sculptures, Jemma Gowland explores gender roles and how societal norms continue to shape the way children are raised, in particular how girls are constrained from birth to conform to an appearance and code of behaviour, to present a perfect face and maintain the expectations of others.

New Artist The women that international artist Jessie Mooy portrays in her raku sculptural works have become symbolic Earth Mothers; guardians of the animal world.

Jon Barrett-Danes animals are hand built and enigmatic indoor and outdoor sculptures; endowed with the strength and humour it took to physically create them.

Jonathan Smith’s oil paintings are inspired from time spent on the West coast of the Isle of Lewis in the Hebrides, walking on the bays and headlands where the croftlands meet the Atlantic.

Working in a range of mediums, Jules Allan’s abstract paintings consider the mortality, sexuality and vulnerability of the human body. Void of figurative forms, her pieces are fragile or tough, blurred, separate or merged. Each painting establishes its own identity.

Kate Richardson’s oil paintings are a unique expression of freedom and boundless imagination. With a dynamic portfolio featuring dreamlike landscapes, intuitive abstracts and ghostly figures.

Kellie Miller’s oil paintings depict abstracted, tactile images of nature and scenes that have inspired her; offering messages of hope, self-discovery and optimism.

Klaus W. Reick creates archetypal and symbolic forms in stone. His sculptures are an expression of a metaphysical being; appealing to the observer, encouraging reflection and contemplation.

An exploration of changing landscapes and historical narratives, Lesley McInally’s ceramic vessels are vibrant, multilayered and biographical.

Marc Gooderham captures the cities’ decaying and unique architecture; finding beauty in neglected buildings as the living city continues to evolve around them.

Marco Minozzi strives to create a representation of an almost futuristic urban landscape, painting in a palette of monochromatic and earthy tones to lend an industrial atmosphere.

Margaret Curtis explores imperfection through her unique ceramic vessels, finding beauty and inspiration in natural decay, through surfaces that are weathered or deformed.

Finding harmony in rhythm, Maria ten Kortenaar creates delicate, beautiful vessels by building them piece by piece, mixing colours through the porcelain to form patterns inside and out.

Mary Jones’ vibrant, painterly and playful ceramic heads are a discussion of human emotions and how they are translated in our faces.